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Take The A Train


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6 Comments

  1. He invented a new way to play "Take the A Train," using the violin and accompanied on piano by Dr. Billy Taylor in The two men performed the normally uptempo song as a slow funeral march. The occasion was the memorial service for Strayhorn and so much was the song intertwined with both Strayhorn and Ellington, it was performed at.

  2. You must take the "A" train To go to Sugar Hill, way up in Harlem If you miss the "A" train You'll find you missed the quickest way to Harlem. Hurry, get on, now it's coming Listen to those rails a-thrumming all aboard Get on the "A" train Soon you will be on Sugar Hill in Harlem. You must take the "A" train To go to Sugar Hill, way up in Harlem.

  3. You must take the "A" train To go to Sugar Hill, way up in Harlem If you miss the "A" train You'll find you missed the quickest way to Harlem Hurry, get on, now it's coming Listen to those rails a-thrumming all aboard Get on the "A" train Soon you will be on Sugar Hill in Harlem You must take the "A" train To go to Sugar Hill, way up in Harlem.

  4. Jun 12,  · "Take the A Train" was written by a kid who lived in Pittsburgh named Billy Strayhorn. Strayhorn was a soda jerk and drugstore delivery boy by day, Author: Brooke Gladstone.

  5. It is impossible to count Ellington's many recorded versions of "Take the 'A' Train;" the piece has essentially become a standard, with many rival bandleaders adding Ellington's theme song to their repertoires during the s (including Glen Miller, Cab Calloway, Charlie Barnet, Harry James, Boyd Raeburn, and Stan Kenton, to name just a few).

  6. Take the A Train ends with a coda (another name for the last part of a piece). It begins with the theme first heard in the first chorus. How is the coda different from Chorus 1? Coda is 1/2 length of first chorus. What is the form of each chorus of Take the A Train? A-A-B-A, 32 bar song form.

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